Wooden dolls #01

Wooden dolls

#01

BEHIND THE SCENE

Character design is part of my professional training and and I have loved toys since I was a child and I love to and i like to play even now.
I have always collected dolls, fetishes, figures, masks and toys. Better if they’re made of wood or ceramic, because they are warm material.

Wood has always been part of the culture of human beings and which I have particularly missed lately.

Wood smells, is warm and gives a good mood to the all environment and, of course, reminds us where we come from: nature.
During an artistic residency in Gressoney, I met the autochthonous carpenter Rudy Maher, who fascinated me with his stories and his huge knowledge about wood.
Back home, his words continued to resonate with me and I decided to contact him to make my figures cut out of wood.
Here are 4 of the 12 characters I plan to make.

Their names are: Bob, Maribella, Lola and Gustavo.

They are made with cedar and willow wood, painted in acrylic + acrylic resin for protection, and have a thickness of 3 cm.

They have dimensions that vary from 21 cm in height to 6 in width.

They love to run around the house in the night and sometimes they run away, chased by the shadows that hide there during the day. But they are not afraid by them, they are all strong and courageous and have a ringing voice.

You can see them on my Pictofolio gallery

To purchase go here

Ask me anything about this project or if you are interested in an ad hoc creation of a wooden doll.

Sketches and ideas

 

A source of great inspiration were the Wooden dolls created  by the great master Alexander Girard for Vitra. I love the uniqueness of Girard’s artistic line on the wood and its expressiveness.
The tenderness and cuteness of those dolls made them known and loved all over the world. Personally, a dear Dutch friend who owned a pair of them, showed them to me. It seemed that her dolls inhabited the shelves of her library and really lived among her books.
It seemed that those shelves were the place they had ever lived.

I chose a color palette with quite saturated and lively tints. My dolls would like to be the translation of my projects on paper. The elements that compose them, the big eyes, the polygons that are part of their shapes, the clean lines of their silhouettes, are a choice to arrive at the simplicity of their shapes. Furthermore, my will is to make them almost archetypal in the imagination and that they are often funny and ironic at the same time. And cute.

the dolls

Internazionale – Amazonian cities

Amazonian cities

Internazionale

Laser mapping reveals oldest Amazonian cities, built 2500 years ago. Neighborhoods, farms, and roads are 1000 years older than previous discoveries.

“Lidar, which allows researchers to see through forest cover and reconstruct the ancient sites below, “is revolutionizing our understanding of the Amazon in pre-Columbian times,” says Carla Jaimes Betancourt, an archaeologist at the University of Bonn who wasn’t involved in the new work. Finding such an ancient urban network in the Upano Valley highlights the long-unrecognized diversity of ancient Amazonian cultures, which archaeologists are just beginning to be able to reconstruct.”

by Lizzie Wade

As published in Internazionale

Le Monde – BOOKS

le monde

The book i love
to offer

This is the special end-of-year issue of Le Monde des Livres. 

«Which book do you like to give the most? » Sixteen writers, intellectuals and artists reveal the work they like to share the most.

The issue is fully illustrated.

Here is the article.

Walking through the fog

Walking

through the fog

I created this image in a moment of confusion.

I thought that no one ever thinks about how many times an artist or a researcher runs into difficulty, in everyday life to preserve his/her intellectual freedom.

Whoever looks, observes the result of constant work of balance, tenacity and focusing.

And for balance, it is necessary to put one step after another. And this is the process, what allows growth.

Best wishes to everyone a happy holiday with a lots of rest.

 

 

Walking through the fog – digital collage 2023, unpublished

Ex-Libris – A private collection

Ex-Libris

a private collection

Emanuela commissioned me to do a job that, in my imagination, is commissioned from great artists: an ex-libris.

Michele, her partner, works in the cinema and has great passions.

I felt invested with a great responsibility. I put the idea of the “visionary” of the “gaze” at the center of this work. I fully tuned in with Michele because we share the need to watch.
  
These are the sketches, the three images I made and the final stamp.

Internazionale – The town of libraries

The town of libraries

Internazionale

The protagonist talks about the wonderful atmosphere of the Svitávka library.

The article gives a sense of fullness and envelopment that the library and its books give to readers.

The first image represents the library as a sort of  internal place and a state of mind. The second one is the love that young readers have for books, love that the author found in her meetings.

By Markéta Pilátová

As published in Internazionale.

Internazionale – Heima

heima

Internazionale

I was very emotional reading the words of the Icelandic writer Auður Ava Ólafsdóttir.
In his article for Internazionale he described a sensation that I often feel when recently I witness an exceptional show or visit a new place or meet a person who fascinates me. The awareness of not being able to repeat that experience and the certainty of not being able to experience it like the first time.

“But above all, if the language in which I write disappears, the only language I know that uses the same word (heima and heimur) to indicate home and world disappears.”

by Auður Ava Ólafsdóttir

as published in Internazionale

Internazionale – Fantasy Farming

Fantasy Farming

Internazionale

Bucolic fairytales are a threat to life on Earth.

“Real solutions to our global food crises are neither beautiful nor comforting. […]

The answer is not more fields, which means destroying even more wild ecosystems. It is partly better, more compact, cruelty-free and pollution-free factories. Among the best options, horror of horrors, is a shift from farming multicellular organisms (plants and animals) to farming unicellular creatures (microbes), which allows us to do far more with far less.” 

By George Monbiot

As published in Internazionale.